New transcriptions for 2008
| Paco de Lucia | |||
| Rondeña | Camaron | CD: Luzia | |
| Moraíto | |||
| Bulería | Comparito Gabriel | CD: Morao Morao | |
| Miguel Angel Cortés | |||
| Tangos | Abadía | CD: Bordón de trapo | |
| Vicente Amigo | |||
| Rumba | Tres notas para decir te quiero | CD: Ciudad de las ideas | |
| 7 Latin themes | |||
| Supplied as a complete set: Solitario, Samba de una nota sa, Corcovado, The girl from Ipanema (four brazilian themes) plus Luna y sol, El Coyuyo, Sandunga (three andean themes) | |||
| The above transcription are not for sale. One of these is supplied free of charge to every customer who purchases 3 or more transcriptions. | |||
| Paco Peña | |||
| Soléa | without title | |
LP: The incredible Paco Peña |
| Classical,
long, complete, no surprise, but enough to satisfy every Paco Peña
fan . |
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| Milonga | without title | |
LP: Fabulous flamenco |
| A
reminder of Ramón Montoya, this pleasant and easy to play re-creation
invites to go further with Rumbeando la Milonga, from the same recording. . |
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| Manolo Sanlúcar | |||
| Garrotin (sol) | Mantón de flecos | |
LP: La guitarra de Manolo Sanlúcar |
| Sabicas
used to play the Garrotin in C. In fact the G tuning (sol) seems to
be more commonly used for accompanying cante. This piece provides
for it the finest composition of Manolo Sanlúcar. . |
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| Minera | Barrenero | |
LP: Mundo y formas vol.3 |
| Another
major composition of M° Sanlúcar. Long and highly developped
piece, Barrenero was among the earliest compositions renewing the
minera style, in the 70’s. . |
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| Quique Paredes | |||
| Tangos | De maera | |
LP: De maera |
| This
tango in rondeña tuning is efficient, percussive and as
usual with Q. Paredes, very easy to play. . |
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| Granaina | Paseo de los Tristes | |
LP: De maera |
| Superb
classical and crystal clear material in the style, with same comment
as for the tangos , very easy to play. . |
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| Paco Cepero | |||
| Soleá por bulería | Cruz vieja | |
LP: Abolengo |
| Here
again very easy stuff, and here again an unequalable ratio musical
efficiency/ease of playing Explosive and full of original ideas. . |
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| Manuel Cano | |||
| Caracoles | Madrid flamenco | |
LP: Temas flamencos para concierto |
| The
caracoles has given very few intrumental solo pieces. Manuel Cano
uses here a very original open tuning in C, which enhances the guitar
volume and brilliance. . |
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| Sabicas | |||
| Fandango | Recuerdo a Almería | |
LP: La guitarra de Sabicas |
| This
fandango is different from the Huelva form by its refrain, whose characteristic
theme is played by the chiming clock of Almeria’s town hall.
Also celebrated by the magnificent Serranito’s Aires de Almeria,
it is easier to play in the Sabicas version. . |
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| Alegrias | without title | |
LP Sabicas y Carmen Amaya |
| All
those who like Campiña andaluza from Flamenco puro will love
this other version, with new developments, of the same piece. . |
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| Niño Miguel | |||
| Taranto | Minas de Río Tinto | |
LP: Diferente |
| Another
magic moment with the Great among the greats of the gypsy guitar. . |
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| Mario Escudero | |||
| Malagueña | Brisas de Marbella |
|
LP Guitarras y flamenco |
| Escudero’s
beautiful version of this unfortunately almost forgotten style. To
be classifed into the malagueña popular style (ending with
verdiales) different from the malagueña flamenca. . |
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| Danza mora | Noche en Lindaraja |
|
LP Guitarras y flamenco |
| Another
danza arabe, which combines the beauty of the rondeña tuning
with the spell of oriental melodies. . |
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| As
always, you can buy a cassette tape recording of any of the above
pieces if you purchase the transcription. . |
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